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Skunk hour essay
reason for Robert Lowell s choice in mary jemison essay animals becomes obvious. Instead of merely being a nighttime voyeur of unsuspecting people making-out in their cars, the speaker in The Armadillo becomes something great, gaining the ability to recognize the loss of life about. Or is he lonely only in his mind, despite others being near. The skunks keep living their life, raising young and searching for food while the speaker stands on his steps and admires them. One dark night, my Tudor Ford climbed the hill s skull; I watched for love-cars. Then the dark revelation - this guy goes up the hill to peek on couples having sex in their cars. A red fox stain covers blue hill". However, the speaker notes the incident by stating, Last night another big one fell Bishop 34). At this point the speaker feels completely alone, even though he's close to the love-cars?
Skunk Hour by Robert Lowell and The Armadillo by Elizabeth Bishop are two closely related poems.
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Too pretty, dreamlike mimicry! Immediately after the line "nobody's here" come the skunks. While nature is affected and destroyed by the fire balloons falling from the sky in The Armadillo, the armadillo, itself, remains virtually unaffected. Sixth Stanza, the speaker is so close to the cars on the hill he can hear music from one of can you say her in an essay the radios. The first four stanzas of "Skunk Hour" describe the Maine seacoast village. Both share the theme of an animal carrying with it natural defenses, and the image of an isolated spectator. A handful of intangible ash with fixed, ignited eyes. Things fall further apart as the speaker is filled with a kind of self-loathing and wants to strangle himself, do himself. Even nature has grown old and sinister, " The seasons ill. The speaker is revealed, at last, having 'hidden' behind the first four stanzas, but note the wording of the second line: my Tudor Ford climbed the hill's skull; Somehow the car is driving itself up that hill, with the speaker absent, as if there's.
He projects his feelings of loveless ness into a scene in which not only the car's occupants but the "love-cars" themselves couple "hull to hull while bleating the hit song "careless Love." Disconnected from the observed scene and even from his own inner self, Lowell. But again note the specific details: I watched for love-cars. By using the skunk as a descriptive element for his character, Robert Lowell increases the distance between the character and the brief glimpse of society portrayed in the poem. The next two stanzas turn on and threaten the first four, the poem abruptly shifts from an ironic account of a disintegrating town to the "dark night" of something personal. Her social successor, the "summer millionaire is also past his prime, his yawl has been auctioned off. They depict Lowell's own feelings and it is the changing of self into landscape. I myself am hell is inspired by a line from Milton's. The speaker only infers, he doesn't explicitly state.
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